Watch Lowe’s interview with Jimmy Kimmel below, and feel free to chime in with ideas for your own imaginary assistant.
My next complaint? What on earth is CBS All Access, do I have to pay for it, and WHY DO I HAVE TO PAY FOR IT? I currently subscribe to Tidal, HBO Go, Xfinity, Amazing Prime Streaming, Sirius, and more. CBS seriously expects me to add to that list, FOR ONE SHOW? If they aren’t aggregating content to offer more than a basic subscription to their only enticing creative endeavor, I will not pay extra, even if it is $5.99 per month. Old CBS programming is not enough. Something has got to give, and it’s not going to be Howard Stern, Beyonce’s Lemonade, or old episodes of Sex and the City. Sorry, CBS. Furthermore, if I were giving advice, I’d have launched this as a free service season one and charged for season two. That is if they believe in their show of course.
On his biggest competition:
“Adele is the one person who’s sold more records than me in the past ten years. She’s the only person I need to sell more records than. That’s a big f***ing feat because her last album sold 20 million. But if I don’t set her as the benchmark then I’m selling myself short. I’m not in competition [creatively] because we all sit in our own lanes, but once the creative product is out there is a race to the finish line.”
On whether he’s aware of Sheeran-lite copycats on the scene:
“There are a lot of singer-songwriters around now. I’m not the first but there are more than before. I’m very happy for everyone to be in the same race as me, even if they copy every single thing I’ve done. In a 100m sprint to get a No1 album I just know I’m going to win. I don’t care who’s doing what. I just know I’m going to win. I’m going to make sure I come first.”
On why he’s so driven:
“There’s an underdog element to it. Taylor [Swift] was never the popular kid in school. I was never the popular kid in school. Then you get to the point when you become the most popular kid in school – and we both take it a bit too far. She wants to be the biggest female artist in the world and I want to be the biggest male artist in the world. It also comes from always being told that you can’t do something and being like, ‘F*** you. I can.’”
I’ve never felt more satisfied with an interview, and to think that the snippet below is just a short representation of what we’ll see in full on February 1st. In a series of hard-hitting, matter-of-fact questions, Larry King got to the bottom of the Keke Palmer/Trey Songz feud, which erupted on Instagram when the ‘Scream Queens’ star accused the R&B artist of “sexual intimidation,” alleging that he coerced her into appearing in his music video shoot, for which she did not grant permission. Palmer proclaims that she said no to Trey multiple times, further that, “I feel like as a female, often I’m put in situations where sometimes males will use their masculinity, their sexuality, to taunt you […] I hate to say that and make it known, but I ain’t the first person that’s gone through this. People have gone through this all the time.” Tune in to Larry King for the full interview at 11am PST/ 2pm EST on ORA.
When Mary Tyler Moore transitioned to her now iconic leading role, producers were quick to make sure the viewers understood this was an entirely new show, thereby giving her a broken engagement to solidify she did not leave the beloved Dick Van Dyke to pursue a career as a journalist in Minneapolis. She was instead single and ready to build her career. She landed in a newsroom as an Associate Producer beside a stellar cast, including Ed Asner as Lou Grant, Ted Knight as Ted Baxter, Gavin MacLeod as Murray Slaughter, Valerie Harper as Rhoda Morgenstern, and of course — Betty White as Sue Ann Nivens.
To understand the radical impact of ‘Mary Tyler Moore,’ one need not look far. Mary and her best friend Rhoda represented independent, empowered women whose dating life was so secondary to their everyday life, it was almost an afterthought. They did not need a man to feel complete, and they were mostly too good for the men they dated anyhow. That narrative is difficult to find even on today’s television landscape, as most women are window dressers to the man’s more important storyline. The 70’s world in which Mary lived was historically significant for women, given that the pill first became available and more women were earning degrees and working outside the home. Behind the scenes, the show was equally important. Treva Silverman became first female with an executive title on a network sitcom. She won an Emmy for Outstanding Writing in a Comedy Series and Writer of the Year in 1974. This makes sense given the content of the show, and it’s a lesson for writers everywhere. If you’re going to write a strong, powerful woman, it’s probably best to use the voice of another strong, powerful woman when doing it. According to The Atlantic, “In 1973, 25 out of 75 writers on the show were women, which was revolutionary at the time.”
‘Mary Tyler Moore’ is not without criticism in the world of feminism. For starters, she conformed in ways that invited debate. She was the only one to call her boss, “Mr. Grant,” instead of Lou, for example, and she was often sheepish, especially when asking for the raise she deserved. Her inner circle were arguably far more rebellious than she, which allowed the viewer to covet their lovable, somewhat innocent protagonist. But that’s far beside the point. She was carving a path and her trepidation made her one of us. As such, Mary Tyler Moore was one of us, and her death could not be more timely in a world with pussy hats, a women’s march, and constant talk of equal pay in Hollywood. Sex and the City certainly celebrated women, but those women were in search of something that Mary Tyler Moore had already found. She will be missed.
There’s no bigger fan of Carlos Vives than myself. Having grown up in Miami, ‘El Amor de Mi Tierra’ was a constant at parties, His new video for “Al Filo de Tu Amor” features former Miss Colombia and Miss Universe finalist Ariadna Gutiérrez who was more than thrilled to work with the iconic Colombian singer. His upcoming album will also feature his Shakira-shared smash hit, “La bicicleta.” It’s good to see someone staying strong in the game, especially in today’s changing music market. You can catch Vives on tour starting April 15. Watch his video below.
First, while Schwarzenegger has a playful personality and a keen sense of humor, it’s buried in this format. Having a bloated bobble head (Trump) in a boardroom barking at people over their business decisions just isn’t his bag. For it to work, they’d have to rebrand the show to let him shine, and NBC is far too in-the-box for that. Some like Mark Cuban would have been a far better choice, but he’s likely exclusive to ABC for Shark Tank, making him unavailable. Richard Branson was also rumored to be on the short list, and he would also make the better pick. Schwarzenegger is a king, but perhaps he’s too kind for this.
Justin Bieber is also not happy Selena Gomez is dating The Weeknd. NYDN
Uma Thurman is in the midst of a custody war. Page Six
Peta Murgatroyd revealed her post baby body. People
Kate Hudson’s brother is having fun with those Brad Pitt rumors. Wet Paint
Padma Lakshmi is dating her baby daddy/Dell bigwig again. Wonderwall
Gavin Rossdale finally addressed his divorce from Gwen Stefani. Us Weekly
Britney Spears revealed how she met her boyfriend. Hollywood Life
The Kendall Jenner/A$AP Rocky romance rumors continue. E! Online
Anwar Hadid and his girlfriend are Insta official. Daily Mail
Cuba Gooding Jr. filed for divorce. MSN
Keke Palmer called out Trey Songz. Vibe
This season of ‘Celebrity Apprentice’ has largely been a letdown, but last night’s episode was a strong exception, as it rose some serious issues about gender roles and the LGBT movement. In an assignment to create a marketing campaign for Kawaski motorcycles, the men’s team created a left-of-center product, which saw a naked Carson Kressley atop a bike, along with a drag queen, and Vince Neil holding a Yorkie. When Kressley and Boy George proposed the idea, it became immediately clear that some men were uncomfortable, notably MMA fighter Chael Sonnen. Though he mostly kept quiet, his facial expressions spoke volumes. A joke made by Jon Lovitz about an “overhug” with Kressley also indicated his latent discomfort. While I don’t think it’s helpful to place blame on a straight man’s discomfort around drag queens and homosexuals, society is evolving, and they should too.
As for the gender issues, things took a turn for the worse when David Charvet resisted his wife’s request to ride on the back of the motorcycle for “macho” reasons, and he predictably received a world of hurt on twitter the following day, such as “Way to go, David Charvet. Throwing a fit over a pic makes you look like a bigger bitch than if you’d just ridden bitch.” Charvet then subsequently liked a fan comment, which said, “I can’t even read this fembot crap anymore, how programmed are people? Men being men is now not only frowned upon, but engendered.” Burke held firm in defending her man,which disturbed me even more. According to Brooke Burke, because her husband would not ride in the back in real life, the shot would be “inauthentic.” Arnold Schwarzenegger rightfully responded, indicating he’d have zero issue with riding behind Burke on a bike. His comment is a specific jab at David Charvet, because if The Terminator doesn’t subscribe to gender stereotypes, David Charvet certainly should not. I understand that Burke was in an impossible position, because she’s loyal to her husband and certainly cannot bad mouth him in public. In fact, she should have known him better and never suggested the shot in the first place, so as not to expose his hidden sexism. And while I enjoy the social media firestorm Charvet is receiving, I know it won’t move the needle and will only serve to make him defensive. No matter what our age, we can still learn, evolve, and change, and Charvet is no exception. Perhaps he can see this episode, understand the changing times, and realize that in today’s world, “tradition” is no excuse for sexism. Furthermore, a man whose comfortable with a woman taking the lead, is far more masculine than a man who is not.