While NBC needs a game plan, since they have yet to get a hit show on the air, my suggestion is that they find the right team of people to make creative decisions before they become doomed with another late-night debacle. The first one was embarrassing enough, and they won’t survive another. So until I see a ratings surge in other areas, I’d hold off on trusting the executives behind these “rumors”
But there’s something very important that the public is missing amidst this debacle. She’s fucking good. The SNL performance was terrible — that is for certain. And it’s unfortunate that she got really bad clothing and hair advice in addition to what was presumably a stage-fright-meltdown. That being said — I have absolutely no idea why every blogger and news outlet wants to take an artist with talent and throw rocks at her. If the public feels the need to attack her, then don’t complain that the radio is filled with musical garbage, because the only people meant to succeed in our unforgiving country are over-produced robots that spend more time on their image than their music. Watch her performance on Saturday Night Live and Letterman below, along with SNL’s very funny Kristen Wiig sketch, which comes to Lana Del Rey’s defense.
The irony of the writer’s strike is that while many writers fought for more — they ended up with less. The main issues being asked for at the time, included: a higher DVD residual rate on DVD sales; compensation for new media (such as internet streaming of television shows); and obtaining writing credit for work on reality television (at the time this was considered a “non-scripted” medium). But while the writers were fighting, Hollywood suffered, and many shows were canceled because the ratings didn’t recover from the extended hiatus. As a result, jobs were lost. David Letterman led the moral pack by paying his own writers out of pocket during the strike, and he later struck a deal with the Writers Guild, which allowed his staff to return without crossing the picket line.
It was rumored that Stewart attempted and failed to negotiate a Letterman-style deal, so he instead chose to air his show without his writers. But he was between a rock and a hard place. Had he gone dark, many non-writers working on The Daily Show at the time stood to lose their jobs. Did he make the right choice? Is it arguable? And if it is arguable, did Seth MacFarlane have a right to take a stand?