Kanye West Gives Billie Eilish a Wildly Inappropriate Ultimatum

Kanye West has given Billie Eilish an ultimatum — either apologize to Travis Scott for taking a rightful dig at Scott or Ye will take his Coachella ball and go home.

Eilish paused her performance in Atlanta after she noticed a fan in distress, saying, “I wait for people to be okay until I keep going.” Kanye took issue with Eilish’s implication that Scott knew the lives of his concertgoers were under threat when he chose to continue performing. According to Kanye, “No one intended this to happen Trav didn’t have any idea of what was happening when he was on stage and was very hurt by what happened and yes Trav will be with me at Coachella but now I need Billie to apologize before I perform.”

For starters, I take issue with a man giving an ultimatum to a woman and holding a show hostage until she relents, especially when said man is two decades older. Furthermore, Eilish is entitled to believe that Travis Scott engaged in reckless behavior, especially given his history of inciting violence at his concerts. And lastly, Kanye’s behavior will only serve to unleash a social media mob on Eilish, which isn’t just immature — it’s dangerous.

Miley Cyrus Delivers an Incredible NYE Show

MILEY’S NEW YEAR’S EVE PARTY HOSTED BY MILEY CYRUS AND PETE DAVIDSON — Pictured: Miley Cyrus performs on Saturday, January 1st — (Photo by: Vijat Mohindra/NBC)

I’ve always known Miley Cyrus was talented, but I certainly can’t take credit for knowing she was this talented. She rang in the new year alongside Saturday Night Live’s Pete Davidson and some very special guests for the most incredible performances I’ve seen on live TV in some time.

Miley’s New Year’s Eve Party aired live last night on NBC from Miami, Florida (at an undisclosed location that I’m still hunting down) and it can be streamed on-demand on Peacock. The show was executive produced by Lorne Michaels, which shows through in some of the very funny sketches between Miley and Pete.

Watch some of the performance highlights below and prepare to have your jaw dropped.

Miley Cyrus singing her new tune, “You”

Miley performing “Plastic Hearts” off her 2020 record by the same name.

Miley handling a “Party-in-the-USA” wardrobe malfunction like the pro she is.

Taylor Swift Releases 10-Minute Version of ‘All Too Well’

Taylor Swift: Red (Taylor's Version) Album Review | Pitchfork

Taylor Swift re-released her smash hit album, Red, and it included the 10 minute version of her song “All Too Well.” Swift’s re-release of one of her most celebrated albums of all time is a carefully calculated attempt to de-value her original masters, which were sold out from under her. Re-recording her masters is a loophole that only a very motivated, cash-positive artist would capitalize on given the time and expense necessary to accomplish such a tall task.

For fans in the know, “All Too Well” is a sorrowful recounting of the heartbreak Swift experienced when her relationship with Jake Gyllenhaal came to an abrupt end. Though they only dated for only three months, Swift spent the holidays with Jake and his family, and she introduced him to hers. Given that she was only 20 at the time and he was 30, it’s fair to assume she took the relationship much more seriously. Having said that, Taylor Swift is entitled to any heartbreak she sees fit, whether it’s on the heels of a three-month or three year relationship.

This longer version of “All Too Well” was allegedly recorded 13 years ago but cut down to meet the standards of the average length of the song. Fans have long asked for the original version, and she certainly delivered. But is this really the original version? It comes with some very cutting new lyrics, including, “And I was never good at telling jokes, but the punch line goes, ‘I’ll get older, but your lovers stay my age.'” Jake’s current girlfriend is 25 years old. But Taylor Swift didn’t have a crystal ball 13 years ago, so she would not know about Jake’s predilection for twentysomethings. This therefore feels like a fresh dig and although there are no perimeters on art, I can’t help but wonder if she still holds a grudge. And hell hath no fury like Taylor Swift scorned – even over a decade later.

Watch her performance on SNL below.

Meghan McCain Goes Scorched Earth on ‘The View’

Meghan McCain: Why I Quit 'The View' - Variety
Image via AUDIBLE

It’s unfortunate that Meghan McCain’s Bad Republican book tour does not include a chapter in which she takes responsibility for her role in the toxic behavior on The View. While I do not pretend to know what it’s like to sit at a table as the only Republican on a heavily left-leaning panel, I wish McCain could own up to disrespecting Whoopi Goldberg and Joy Behar time and time again.

Continue reading “Meghan McCain Goes Scorched Earth on ‘The View’”

Derek Hough Kills it with Horror Night Performance

I’ve said it before and I’ll say it again — Derek Hough is the Gene Kelly of today’s generation. The only problem? Aside from Dancing With The Stars, he doesn’t get the credit he’s due. While the ABC show is certainly an impressive platform, I know there’s more for him, and his agents just haven’t found it yet.

Watch his Horror Night tango performance alongside the extremely talented Hayley Erbert (also Derek’s girlfriend) set to “Deadwood/New Blood” by Really Slow Motion/Zayde Wølf.

Iman Shumpert Steals the Show on DWTS – Gets all 10s

In one of the best dances ever choreographed on Dancing With The Stars, Daniella Karagach was finally able to use Shumpert’s height to her advantage in a “contemporary” routine during last night’s show. With some extremely innovative moves set to “I Got 5 On It (Tethered Mix from US)” by Luniz ft. Michael Marshall, the duo tore the house down for a Halloween-themed horror night.

Watch the jaw-dropping routine below.

Kacey Musgraves Delivers ‘Forrest Gump’-Inspired Performance on ‘SNL’

SATURDAY NIGHT LIVE — “Owen Wilson” Episode 1806 — Pictured: Musical guest Kacey Musgraves performs “Justified” on Saturday, October 2, 2021 — (Photo by: Will Heath/NBC)

I’m a self-admitted prude about gratuitous nudity, but I’ll make an exception for the Kasey Musgraves’ performance on Saturday Night Live. In short, it works. And not because she’s hot, because it’s an altogether beautiful song and her lack of clothes feels like an accessory to her performance rather than the main event. Performing “Justified” from her recently released album star-crossed, Musgraves’ was inspired by the character of Jenny from Forrest Gump. Watch below to be mesmerized.

Elaine Welteroth Exits ‘The Talk’

The Talk' Welcomes New Co-Hosts Elaine Welteroth And Amanda Kloots |  ETCanada.com

Tell me your talk show is tanking without telling me your talk show is tanking

Elaine Welteroth has exited The Talk, following in the footsteps of Carrie Ann Inaba, who left for health reasons, and Sharon Osbourne, who left following a heated on-air exchange about race with Sheryl Underwood. Welteroth’s days on The Talk seemed numbered when someone (whom I can only assume is Sharon Osbourne’s camp) leaked audio of Welteroth offering support to Osbourne backstage, which seemed very different from Welteroth’s words on camera.

Welteroth later responded saying, “To set the record straight, it was not a hot mic—I was unlawfully recorded without consent. And I never filed a complaint with HR against Sharon Osbourne or anyone else. I am disheartened, however, that my kindness has been taken out of context and weaponized in an attempt to absolve responsibility for someone else’s actions.”

CBS Has a Leaky Faucet

According to Page Six, CBS was none too pleased with the Welteroth’s off-air support, with a “source” saying, “There was a lot of tension, particularly when Osbourne[‘s camp allegedly] leaked a tape of Elaine comforting her after the incident. People thought [Welteroth] was playing both sides of the fence, and there was a [general] consensus that she threw CBS under the bus.”

Where are the Producers?

While I agree that Elaine played both sides and as a result alienated the audience, I’m curious why showrunners and joint executive producers Heather Gray and Kristin Matthews are still employed. There’s no question that the conversation in front of the camera went left in part because of poor preparation from the producers, and the on-air hosts were seemingly left to clean up the mess in the press. It’s easy for Elaine to look like a hypocrite if she was given behind-the-scenes direction about what she could and could not discuss.

One would hope that if the hosts devote their personal opinion to a show, the producers would have their back when things go awry. Thus far, no such conversation about what’s going on behind-the-scenes is on the record. Why should The Talk panel be held entirely responsible here? The producers need to step up and defend their hosts.

Simone Biles Wins Bronze on Beam — Changes Gymnastics Forever

2021 Tokyo Olympics: How to Watch Simone Biles and Suni Lee in the Balance  Beam Event Final - TV Guide

When Simone Biles withdrew from the Tokyo 2021 Olympic Games during the gymnastics team competition because of the “twisties,” I knew she wouldn’t return anytime soon. The phenomenon that we’ve since learned manifests as complete disorientation while spinning in the air, if not taken seriously, can result in serious injury. Simone was both praised for prioritizing her mental health and simultaneously criticized (by trolls) for being a “quitter.”

As a former diver, I can tell you firsthand that the twisties is no joke. Though I was far from elite caliber, I distinctly remember waking up one day to the complete loss of a simple backflip. That eventually manifested into an inability to execute even a back dive tuck. At the time, I thought I simply had overwhelming anxiety and decided to power through. With no sense of my fundamentals I threw my legs out from underneath me and landed on the board (on my stomach). Since I was never very good to begin with, I decided it was time to quit the sport altogether.

The head coach of the college got wind of my plan and said, “You are free to quit the sport, but you must do the backflip before you do.” Through a series of visualization exercises and simple diving techniques to regain my equilibrium, I eventually did the backflip. One might think that as soon as I did the dive it clicked back in my brain, but it did not. “Do it again,” the coach said. And I did. I did the dive about five times, beaming with pride — but still feeling slight disorientation.

I tell this story to explain a microcosm of what Biles must’ve been going through this past week. Her decision isn’t just about mental health as many have suggested, it is also about physical health. Gymnastics is unforgiving, and one only needs to look to Elena Mukhina to see the devastating consequences of performing when unable/not ready. This isn’t the “yips” in golf. Biles won’t miss a putt — she could break her neck.

Many gymnasts such as Dominique Moceanu came to Biles’ defense saying, Simone’s decision “demonstrates that we have a say in our Own health — ‘a say’ I NEVER felt I had as an Olympian.” What we have learned about gymnastics, is that many gymnasts feel as if they do not have the agency to stand up for themselves. We saw pedophile Larry Nassar capitalize on this culture of silence and the brave survivors of his abuse have said no more.

Biles’ move has set a precedent for the sport for years to come. She is a walking representation that these Olympic athletes have agency over their mental health, their physical health, and their bodies. If the greatest gymnast of all time felt comfortable/brave enough to step away from competition, imagine what’s to come. She is the GOAT for another reason now.

Julia Stone Releases Magical Album: ‘Sixty Summers’

Julia Stone - Sixty Summers - Amazon.com Music

It appears half of the very talented Australian indie-folk pop brother/sister duo,  Angus & Julia Stone, has gone solo, and the result is magical. Sixty Summers marks Julia Stone’s third solo effort, her first since 2012. The singer/songwriter and multi-instrumentalist ‘s new record has been described as “sonically adventurous,” “divergent, vibrant pop reminiscent of the mid-’80s,” and both “free and restless.”

Co-produced by St. Vincent (a.k.a. Annie Clark) and Thomas “Doveman” Bartlett (Bartlett played keyboards on both Taylor Swift’s Evermore and Folklore albums), it’s worth (more than one) listen.

Listen below to a track featuring  Matt Berninger from The National.