I’d love to meet the genius who thought up a ballet concept behind Ciara’s “I Bet,” and simply phoned in the idea with point shoes and leg warmers. It pains me to point this out, but perhaps her team could have taken some tips from Kanye West’s epic “Runaway” idea. Either go big, or burn the shoes. And who advised the on-the-floor rowing choreography, and where’s the kayak ? I appreciate her physical head-shake to indicate the “no, no, no” lyrics, though. Because you know . . . those words are really confusing. WATCH BELOW, and try not to cringe when you get to the part where she ripped off Beyonce.
Category: Music
Jack White Releases “That Black Bat Licorice” Video — HOLY SH*T!
When I first watched the new Jack White video I thought it was a visual masterpiece. I then realized that by hitting button B or 3 on my keyboard, I would get the privilege of entirely different content, thereby almost editing it myself. This forced me to listen multiple more times, which I can only assume is what his team of wizards intended. The man is an unequivocal genius. Watch “That Black Bat Licorice” below, and hit button B or 3 at your leisure.
Weekend Roundup: Tabloid News Review
Amanda Knox is engaged. Yahoo!
Ashton Kutcher is happy to have sex with his wife. E! Online
Liv Tyler had a baby boy. Refinery29
Vivica Fox loved 50 Cent. Urban Daily
Pamela Anderson has filed for divorce for the third time. Pop Sugar
Nick Cannon and Nicole Murphy are getting cozy. Bossip
Khloe Kardashian and French Montana are at it again. Daily Mail
Jennifer Carpenter is pregnant and engaged to an Avett Brother. Rumor Fix
Did Wiz Khalifa cheat on Amber Rose? Gawker
Calvin Harris has a new squeeze. Contact Music
Jack White loves guacamole. Variety
Beck Wins Best Album: Kanye Reacts
Kanye West’s eruptions are now expected, and he struck again with a tamer version of his Taylor Swift take-down. He faux stormed the stage, and Beck politelyreacted with ease. Though many thought it was a self-deprecating stunt on Kanye’s part, he later confirmed his cantankerous intent, saying, “I just know that the Grammys, if they want real artists to keep coming back, they need to stop playing with us. We ain’t gonna play with them no more. And Beck needs to respect artistry and he should’ve given his award to Beyoncé.”
I have a few words for Kanye West, so I’d like him to listen. First, even if Beyonce’s album was stronger, Beck writes his own music, and is therefore operating on an entirely different level. Commissioning the best of the best in the business to write, produce, and create your work puts you at an unfair advantage, and makes you less deserving. Second, art is subjective, and Kanye West is not its arbiter. Third, I don’t appreciate ruining someone’s moment, no matter who it is or what the circumstances. Watch below.
Rihanna, Kanye West, and Paul McCartney: FourFiveSeconds Video
Many artists of Paul McCartney’s stature would rest on their catalog, but the most-loved music man has instead stayed current, engaging in frequent collaborations with today’s top talent and touring the world with high-energy, two-hour concerts. He’s now joined Rihanna and Kanye West for FourFiveSeconds, a catchy, artistic tune that we’ll see at tonight’s Grammy awards. Watch the video below.
Katy Perry’s #Superbowl Halftime Show — WATCH NOW
In a visual extravaganza worthy of a Lisa Frank caboodle, Katy Perry stepped onto the Super Bowl stage to lip-sync her catchy catalog of pop tunes beside lots of people doing lots of actual work. I realize the Super Bowl almost mandates lip-syncing, but if you’re not going to dance, then your presence could be replaced by nearly any other person that wants to Karaoke. Judging from my arm-chair survey, the dancing sharks were a hit, but other than that — I can’t see much success. Beyonce looked like she was going to pass out from all that choreography, and Katy simply swayed beside some beach balls. Lenny Kravitz should have just done the entire show. WATCH BELOW.
Young Rising Sons “High” Video — Watch Now
With the success of their single, “High,” Young Rising Sons is on the rise (pun intended). Formed in 2010 and consisting of Andy Tongren (lead singer/guitar), Dylan Scott (lead guitar), Julian Dimagiba (bass) and Steve Patrick (drums), the band signed with Interscope Records in 2014. Listen to “High” below, and click HERE to purchase their EP.
Azealia Banks v. Iggy Azalea: A Full Feud Rundown
Crossing racial lines in musical genres is a very common complaint, with the most notable examples being Eminem and Elvis Presley. Iggy Azalea’s recent feud with Azealia Banks brings the issue to light once again, with Banks claiming that she has “problem when you’re trying to say that [Iggy’s music is] hip-hop and [she’s] trying to put it up against black culture.” Iggy did not take kindly to the critique, responding on twitter with a “special message” for Banks that read, “There are many black artists succeeding in all genres. The reason you haven’t is because of your piss poor attitude. Your inability to be responsible for your own mistakes, bullying others, the inability to be humble or self control. It’s YOU!”
T.I. predictably came to his protege’s defense, saying, “white people who were inspired by our culture allowed ME TO SEE, that not all white people out to steal our culture,” and instead are “merely wish[ing] to contribute to it.”
While when I first read quotes from the feud I unequivocally sided with Iggy, my thoughts immediately muddied when watching the original interview with Banks, which I’ve posted below. Hip-hop and rap is predicated on an authenticity that came from struggle, and Iggy’s entire formula emulates pop, not rap. She doesn’t write her own music, and she’s a claymation product of high-level execs that propelled her forward. Success is not zero sum, and there’s certainly room for everyone, but there’s validity to an idea that while Iggy didn’t steal anyone’s spotlight, she’s an inauthentic representation of the genre. As for Banks, I have some advice. No one will listen to your arguments when they’re packaged with incredibly mean attacks and bigoted, racist terms, which are unconscionable. There’s weight to her point, but she’s too pissed to perfect it with an intelligent delivery. Q-Tip came to the rescue, with a moving, historical lesson on hip-hop, which you can read in its unedited version below. Enjoy, and feel free to weigh in on my comments section.
“HipHop is a artistic and socio-political movement/culture that sprang from the disparate ghettos of NY in the early 70’s Coming off the heels of the CIVIL RIGHTS MOVEMENT and approaching the end of the Vietnam war it was a crossroads 4 America specially for blacks in the US our neighborhoods were PROLIFERATED w/a rush of HEROINE.”
“Our school systems here in NY dungeon traps with light for learning… blk men some of whom didn’t return from tours of duty n the ones who did came w/war baggage (agent orange, addiction, ect..)… these men had families but due to these events and throw into the mix the public emasculation… they proved to be handicapped parents. The surrogate parents? The STREETS… the streets of gangs, crimes, and the hustlers coddled us and swept us up.”
“But! Being a spirited, rhythmic & expressive people music art dance outlined our existence… it proved a way for us to exalt to scream to dance to laugh and find OUR VOICE… we weren’t at the time skilled musicians as kids. We had records, turntables, ideas and INGENUITY being natural chemist we took from whatever was availed to us and we created something mighty and special.”
“We cut breakbeats back n forth we took a hybrid of Jamaican toasting along w/ radio jock rap (hank Spann, Gary Byrd, ect.) and we put our rap down.. it was a neighborhood thing really. Black and Latino Kids were carving out their space and it became infectious… eventually Keith Cowboy coined the phrase hiphop . Yrs later the first rap record was recorded and now we r moving.”
“But during these strides this country still had the monster of racism and racial insensitivity breathing and ruling… believe it or not young black n Latino lives specifically weren’t acknowledged in mainstream American culture unless Of course.. the convo was abt gangs , being criminals or uneducated. And hey! Like I stated early our families were rushed our schools sucked and we were left to put devices to survive… but HIPHOP showed that we had DEPTH, fire, and BRILLANCE… the music was undeniable! It moved from NY N became national and even GLOBAL.”
Hiphop now was FOR EVERYBODY!! All of those who cld relate to the roots, the spirit, the history, the energy.. It reached YOU… it touched your spirit n took u up. We magnetized you! That’s what BRILLANCE does… now u are fulfilling your dreams … BUT! you have to take into account the HISTORY as you move underneath the banner of hiphop. As I said before… hiphop is fun it’s vile it’s dance it’s traditional it’s light hearted but 1 thing it can never detach itself from is being a SOCIO-Political movement.”
“U may ask why … Well once you are born black your existence I believe is joined with socio-political epitaph and philos based on the tangled and treacherous history SLAVERY alone this is the case it never leaves our conversation… Ever. WeAther in our universities our dinner tables our studios or jail cells… the effects still resononates with us. It hurts… We get emotional and angry and melancholy… did u know president Clinton was the ONLY PRESIDENT to apologize for it? did u know that remnants of slavery exist today thru white privilege? When certain “niceties” r extended your way because of how u look? Isn’t that crazy?”
“I say this 2 say u are a hiphop artist who has the right 2 express herself however she wishes… this is not a chastisement this is not admonishment at ALL this is just one artist reaching to another hoping to spark insight into the field you r in. I say this in the spirit of a hopeful healthy dialogue that maybe one day we can continue… I’ve been on twitter a long time and this will probably be my last series of tweets pretty much but I’m Kool with it as long as I got to share this w u. Zzzzzzz’s up! Peace!”
AZEALIA BANKS INTERVIEW
THE VOICE finale: WATCH the Best Performances
The Voice delivered some of its best performances to date, and they predictably came from its A-listers instead of its amateurs. Bruno Mars had a standout performance beside Mark Ronson with ‘Uptown Funk,’ and Meghan Trainor successfully transitioned from being “All About that Bass,” to “Lips are Movin’.” As for Hozier, it’s safe to say he took us far beyond the church with a chilling rendition of his massive hit single. Though it would be kind to mention the show’s finalists, I won’t. They simply are not good enough, and ‘The Voice’ has become a venue for powerful stars to peddle their projects, instead of a springboard for struggling artists. The only reason Craig Wayne Boyd stands a chance is because the country community is loyal, but that didn’t help Danielle Bradbery. That’s okay though. I very much enjoyed the finale. WATCH BELOW
BRUNO MARS
MEGHAN TRAINOR
HOZIER
iHeartRadio’s Jingle Ball to Stream Live on Yahoo
Fans of iHeartRadio’s annual star-studded holiday concert, Z100’s Jingle Ball 2014, can stream the show on Yahoo Live or via iHeartMedia Contemporary Hit Radio (CHR) stations across the country. An exclusive 90 minute nationwide broadcast special will also air on The CW Network. This year’s event will feature performances by Taylor Swift, Maroon 5, Ariana Grande, Sam Smith, Iggy Azalea, Pharrell, 5 Seconds of Summer, Calvin Harris, OneRepublic, Jessie J, Meghan Trainor, Charli XCX, Shawn Mendes, Rita Ora, and Rixton and Nick Jonas. Guest presenters include Chris Rock, Jamie Foxx, Quvenzhané Wallis, Sarah Jessica Parker, Ansel Elgort, Emma Roberts, Ryan Seacrest, Seth Rogen, and more. Z100’s Jingle Ball will also capture the holiday spirit with its national iHeartRadio Jingle Ball Tour. Tune in to the video below on Friday, December 12, at 8 p.m. EST, to catch the action live.