Cannon’s first reaction included a lengthy non-apology, claiming that people “misused an important moment for us to all grow closer together and learn more about one another.” Instead, he furthered, ” the moment was stolen and hijacked to make an example of an outspoken black man. [He] will not be bullied, silenced, or continuously oppressed by any organization, group, or corporation. [He is] disappointed that Viacom does not understand or respect the power of the black community.” When Cannon finally seemed to take some level of responsibility, he claimed that doing so turned his own community against him. If his community includes Richard Griffin — then I’d say he’s better off.
I hurt an entire community and it pained me to my core, I thought it couldn’t get any worse. Then I watched my own community turn on me and call me a sell-out for apologizing. Goodnight. Enjoy Earth🙏🏾💙
Unfortunately, Cannon is not the only offender. Chelsea Handler landed in hot water when she shared a video on Instagram, which quoted Louis Farrakhan, the leader of the Nation Of Islam and a widely known anti-Semite. Both the Anti-Defamation League and Southern Poverty Law Center have identified Farrakhan as anti-Semitic, and the Nation Of Islam as a hate group. Handler’s influence proved dangerous, as many celebrities with large platforms also shared the video. When confronted, Handler double down, insisting his message Farrakhan’s message was powerful and that she didn’t even consider the fact that he was anti-Semitic when she posted it — thus illustrating the recklessness of her actions. After unending uproar, she finally relented — but the damage was done.
There are many other offenders as of late, and I have held an extensive discussion on my podcast diving deeper into anti-Semitism and many of the conspiracy theories being spouted.
Listen below (the conversation begins at minute 30 if you’d like to skip the pop-culture portion of my podcast).
After many A-list celebrities have tried and failed to bring us joy during these difficult times, Quibi is showing everyone how it’s done, with a homemade version of The Princess Bride — all proceeds going to charity. For those wondering about the intimate scenes, existing couples were used, such as Sam Rockwell and Leslie Bibb — which is pretty genius if you ask me. Watch a clip below.
Netflix has cornered the market on fun romantic comedies, but after watching the sequel for To All the Boys I’ve Loved Before, one thing is clear — not every film needs a sequel.
Netflix just released the trailer for The Kissing Booth 2 and within five seconds I immediately realized that this will likely be another case of prioritizing public pressure over creativity. also, I can’t help but feel bad for Joey King for having to work alongside Jacob Elordi/her ex-boyfriend. that cannot be comfortable, especially since he’s moved on to Zendaya.
Furthermore, given that Jacob has proven his prowess in Euphoria as has King in The Act, this does feel like a step backwards. Don’t get me wrong — I think a romantic comedy can be just as challenging as a drama — but only when the script is good.
When Davis got paired up with Ryan Tedder to produce his song, viewers were taken inside the recording studio to witness Davis and the three-time Grammy-winning producer/co-writer of Adele’s “Rumor Has It” —in action. Davis’ humility, massive amount of talent, and unbelievable voice caught my attention, and I wanted to know more. He was kind enough to join me for my podcast to discuss his journey as a songwriter and performer, and his experience on Songland.
Listen below to hear him talk about performing at Quincy Jones’ bar and lounge in Dubai, his experience on the road at the beginning of his career, and the lessons he’s learned along the way. If you’d like to join David Davis for a virtual concert experience, join him for his next “Evening Inn” on June 26th at 6:30 PST.
Hi, friends! For this week’s podcast I asked my very kind, informed friend to join me as we discussed some of today’s most relevant topics.
Listen below for our take on the Lea Michele controversy, that Drew Brees apology, Vanderpump Rules’ cast members Stassi Schroeder and Kristen Doute dangerously calling the police on fellow black cast member Faith Stowers, Alicia Silverstone’s latest antics, and more!
The hits just keep on coming for former Glee star Lea Michele. In response to a Michele’s tweet in support of the Black Lives Matter movement, Michele’s former costar Samantha Marie Ware said:
LMAO REMEMBER WHEN YOU MADE MY FIRST TELEVISON GIG A LIVING HELL?!?! CAUSE ILL NEVER FORGET. I BELIEVE YOU TOLD EVERYONE THAT IF TOU HAD THE OPPORTUNITY YOU WOULD “SHIT IN MY WIG!” AMONGST OTHER TRAUMATIC MICROAGRESSIONS THAT MADE ME QUESTION A CAREER IN HOLLYWOOD… https://t.co/RkcaMBmtDA
And in case you were going to chalk this up to two people who just don’t get along, other costars quickly doubled down on Michele’s bad behavior. Since there are now so many individual stories, I’ve compiled them in a list for ease of read.
Spring Awakening‘s Gerard Canonico: “You were nothing but a nightmare to me and fellow understudy cast members. You made us feel like we didn’t belong there. I tried for years to be nice to you to no avail. Maybe actually apologize instead of placing the blame on how others ‘perceive’ you. You’ll probably just delete this though.”
Glee actor Dabier Snell: “GIRL YOU WOULDNT LET ME SIT AT THE TABLE WITH THE OTHER CAST MEMBERS CAUSE ‘I DIDNT BELONG THERE’ F— YOU LEA.”
Glee actor Jeanté Godlock: “did somebody say cockroaches? because that’s what she used to refer to the background as on the set of glee. but we grow up and we don’t stay background forever sooooo…”
There is a great joy in holding others accountable, especially when their misbehavior has gone unchecked for so long. It should be noted that Lea Michele issued an apology, but it felt as if it was written by her publicist and not Lea herself. Furthermore, she used the objectionable word “perceived,” saying, “Whether it was my privileged position and perspective that caused me to be perceived as insensitive or inappropriate at times or whether it was just my immaturity and me just being unnecessarily difficult, I apologize for my behavior and for any pain which I have caused. We all can grow and change and I have definitely used these past several months to reflect on my own shortcomings.”
Is it possible that this will be the wake-up call that Lea Michele needs? Can people who have a history of treating others like crap with zero accountability, ownership, or responsibility actually change? I don’t have the answer to those aforementioned questions — but I do know one thing — if you’re going to be a disrespectful hypocrite that has made the lives of others “a living hell,” then you’re going to have to do better than that halfhearted apology.
Nightly Pop is one of my favorite pop-culture-rundown television shows, mostly because Morgan Stewart, Hunter March, and Nina Parker seem like actual IRL friends.
In the clip below, you’ll see Nina Parker provide some informative insight. As Parker points out, “racists are really loud, so if you don’t agree with that — why are you silent?” Much like Morgan Stewart I have personally pondered whether it’s appropriate to speak up on social media, and I appreciate Parker’s poignant words.
The Me Too movement has also led to the rise of Intimacy Coordinators on set, and it begs the question — how did actors go so long without them? An actor/friend once told me that sex scenes are often so uncomfortable because they are so poorly choreographed, and because many directors are also uncomfortable with the scenes, the actors are left to their own devices, which can lead to problems.
After binging Normal People on Hulu, I was extremely curious about the sex scenes, especially since they were so raw and believable. In the interview below, series star Paul Mescal details the importance of the Intimacy Coordinator. And kudos to the interviewer for asking well thought out questions.
I’m only four episodes into Hulu’s Normal People, and I can already say it’s one of the rawest, most realistic portrayals of young, complicated love that I’ve seen in nearly a decade. Based on Sally Rooney’s best-selling novel, the series follows Irish lovers Connell Waldron (Paul Mescal) and Marianne Sheridan (Daisy Edgar-Jones) as they navigate their on/off romance, which is complicated by different upbringings, the opinions of others, personal insecurities, and all the mistakes we make before we know better.
The Guardian reviewed this gem of a series with a heavy, unforgiving hand, calling it “little more than a gutless soap opera for millennials.” And the takedown didn’t stop there. They also said it is “a tedious reworking of a romance plot as old as time. I’d rather read an honest bodice-ripper.” I don’t think I’ve ever been more pleased to read a review. Why? Because it’s so incredibly wrong it just proves that jaded hearts and elite television palettes simply won’t understand it’s beauty — and that’s okay. Yes there’s a class struggle “as old as time.” But the story is more about young love and when acted out by two people with Sheridan and Mescal’s prowess and earnest chemistry, it will inevitably feel fresh.
For somebody “connected to her truth” Julianne Hough sure spends a lot of time not talking about it. For those unaware, Hough and her husband, Brooks Laich, spent an unwelcome amount of time inviting the public into their sex life only to now shut the doors on the many inquiries about the status of their marriage. Hough and Laich are noticeably isolating in separate states during the pandemic.
On the June cover of Women’s Health Magazine Hough continued to say a whole lot of nothing including, “I believe in soul love, whatever that looks like. I kind of don’t believe in labels. It doesn’t mean that I won’t have a baby, etc. It just means that I’ve unplugged from what I feel like I should be doing versus what I actually want to be doing.” She furthered, “I believe we’re all dancers. We were much more self-expressed when we were kids. I’m trying to help people reconnect back to that inner child.”
Perhaps I wouldn’t object to the new Julianne Hough if she was honest about her personal life when it suits her AND when it doesn’t. Furthermore, if you’re going to boldly “live your truth,” maybe also defend the truth of others, including Gabrielle Union who had very public issues with America’s Got Talent. Hough notoriously avoided the topic (despite being fired at the same time as Union) during a press tour for Hough’s upcoming show. It’s not considered “bold” if you’re only speaking out when it suits you best.