Jane Lynch Hosts the Red Dress Awards

To honor those who have made key contributions to Heart Health Awareness, the Red Dress Awards entered its 14th year with Jane Lynch as host and some special guests, including a performance from Grammy® Award and Oscar winner Melissa Etheridge, who headlined the event. The Awards featured additional performances from rock all-female string-quartet Bella Electric Strings, and teen singer Carly Rose Sonenclar of The X Factor. Enjoy pictures from the event below. All photos courtesy of Rabbani & Solimene Photography. 

Lena Hall
Tamron Hall
Joy Bauer & Hoda Kotb
Carson Kressley
Jane Lynch
Star Jones
Kym Johnson
Laila Ali
Honda Kotb

Ed Sheeran Covers British GQ: Read Quotes Now

Ed Sheeran covered the March issue of British GQ to promote his upcoming album, and the hit singer/songwriter brought out his competitive side. Though I’m not sure it’s the best idea for sweet, nice guy to show his salty side, Sheeran is currently on top of the world. His two new singles are topping the charts, and he shockingly has a cut off Justin Bieber’s record, which was nominated for Album of the Year at this year’s Grammy Awards. Check out some choice quotes below, and head on over to GQ for more. It’s available now for digital download, and it hits newsstands Thursday.

On his biggest competition:

“Adele is the one person who’s sold more records than me in the past ten years. She’s the only person I need to sell more records than. That’s a big f***ing feat because her last album sold 20 million. But if I don’t set her as the benchmark then I’m selling myself short. I’m not in competition [creatively] because we all sit in our own lanes, but once the creative product is out there is a race to the finish line.”

On whether he’s aware of Sheeran-lite copycats on the scene:

“There are a lot of singer-songwriters around now. I’m not the first but there are more than before. I’m very happy for everyone to be in the same race as me, even if they copy every single thing I’ve done. In a 100m sprint to get a No1 album I just know I’m going to win. I don’t care who’s doing what. I just know I’m going to win. I’m going to make sure I come first.”

On why he’s so driven:

“There’s an underdog element to it. Taylor [Swift] was never the popular kid in school. I was never the popular kid in school. Then you get to the point when you become the most popular kid in school – and we both take it a bit too far. She wants to be the biggest female artist in the world and I want to be the biggest male artist in the world. It also comes from always being told that you can’t do something and being like, ‘F*** you. I can.’”

Sturgill Simpson Takes On ‘Saturday Night Live’

Photo by Will Heath/NBC

When Sturgill Simpson’s album, ‘A Sailor’s Guide to Earth,’ was nominated for Album of the Year for the 59th Grammy Awards, he humbly proclaimed that he “would’ve liked to see Frank Ocean’s name where [his] is,” because he thought Ocean’s record, ‘Blonde,’ was “really groundbreaking.” Funny enough, Ocean did not submit his album for consideration, thereby removing him from contention. Ocean believes the “infrastructure of the awarding system and the nomination system and screening system is dated,” and he might be right, but Simpson’s nomination represents a much bigger movement in the music industry, and here’s hoping it sends a message. First and foremost, he’s the only artist who wrote his entire album. Adele is a close second, with just one co-songwriter, but Beyonce’s much-praised ‘Lemonade’ has more songwriters than bagels at Yom Kippur. The same goes for Drake. And though I’m not a Bieber hater, I need not explain the alarming juxtaposition between the two artists, and It begs a bigger question about the what the Grammys truly represent. If Starry Night had been a collaborative effort between Vincent van Gough and his 25 cohorts, would we see it through the same lens?

Simpson has long been called a country music outlaw, refusing to cater to the confines of what has now become a homogenized songwriting factory in Nashville. There’s no more Johnny Cash, Merle Haggard, Waylon Jennings, or Willie Nelson, and Simpson is therefore considered to be the “savior” of a dying genre. Simpson himself might not see himself this way, and judging by his performance on Saturday Night Live, all he really sees is the music. His blues riff on “Call to Arms” lets his 11-piece band make a tiny stage with a small audience seem like an amphitheater. Watch both performances below.

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Mariah Carey v. Dick Clark Productions: Who’s at Fault?

If Adele were on the stage for New Year’s Eve to perform for the world and her sound failed, absolutely no one would question whose fault it was. That’s the benefit of being a consummate professional who is always on point. You get a pass with production fails. But when you’re Mariah Carey, whose diva antics often make the news, you are not afforded that luxury. If you simply watch Mariah’s own reality show on E!, she showed up two hours late to a concert because no one on her team was aware that the city in which she was performing had a time change. In fact, the gaffe was realized on the plane, which means the concert began while in route to the venue. She was rightfully booed by her fans upon arrival. This type of behavior is unacceptable. She hired her team, and she is also capable of telling time, which means she either has bad judgment in her staff, or she is far too detached from her responsibilities as a business mogul. In fact, Ellen brought this up directly, and Mariah simply brushed it off.
I believe that Mariah’s sound failed on New Year’s. If her in-ears were not working, it makes sense that the on-stage monitors were not loud enough to serve as a supplement. That being said, she doesn’t get a pass from me. Mariah claims it was sabotage for ratings, and Dick Clark Productions was predictably pissed, saying:

As the premier producer of live television events for nearly 50 years, we pride ourselves on our reputation and long-standing relationships with artists. To suggest that DCP, as producer of music shows including the American Music Awards, Billboard Music Awards, New Year’s Rockin’ Eve and Academy of Country Music Awards, would ever intentionally compromise the success of any artist is defamatory, outrageous and frankly absurd. In very rare instances there are of course technical errors that can occur with live television, however, an initial investigation has indicated that [Dick Clark Productions] had no involvement in the challenges associated with Ms. Carey’s New Year’s Eve performance. We want to be clear that we have the utmost respect for Ms. Carey as an artist and acknowledge her tremendous accomplishments in the industry.

I’d encourage Mariah to put her tatas away, ditch the dated sparkly leotards, and remind everyone who she is and how she got there. People will forgive you for just about everything but entitled, diva behavior.

Tabloid Gossip: Your Week of News


hilaryEmma Roberts
and Evan Peters are going strong. Pop Sugar

Bristol Palin is going to pop out baby #3. TMZ

Renee Zellweger got dragged into court via her boyfriend’s ex. Wonderwall

Jersey Shore’s Ronnie Magro is dating Khloe Kardashian’s BFF.

Sofia Vergara is being sued by her embryos. The Superficial

Paula Patton is back on twitter. Hip Hollywood

Sia  and her husband of two years are divorcing. Just Jared

Minka Kelly and Josh Radnor are dating. Celebuzz

The Brangelina divorce nightmare just got worse for Brad Pitt. E! Online

Joe Jonas and Sophie Turner are taking it up a notch. People

Jimmel Kimmel is having his fourth child. Yahoo!

Hilary Duff and her trainer are dunzo. Wet Paint

Bradley Cooper and Irina Shayk are having a baby. USA Today

Dancing With the Stars’ Mark Ballas got married. Reality TV World

Naomi Watts talked about her split from Liev Schreiber. Contact Music

T.J. Miller was arrested for a brawl with his Uber driver. Deadline

Khloe Kardashian and Lamar Odom finalized their divorce. CNN

Amber Rose and Val Chmerkovskiy stepped out hand in hand. Us Weekly

Blac Chyna is having trouble trademarking the Kardashian name. TMZ

Five Times Justin Bieber Made Actual Sense

Justin Bieber recently denounced Instagram, solidifying his intent to stay off the social media platform following the harsh treatment of his then girlfriend, Sofia Richie. In a babbling rant, Bieber said, “Nah, I don’t want to get my Instagram back. Instagram is for the devil. I’m sure … I think hell is Instagram. I’m, like, 90 percent sure. We get sent to hell and we get, like, locked in the Instagram server. Like, I’m stuck in the DMs. I’m trying to climb my way out and I can’t.” If you can decipher his rant you might realize he’s making a decent point. Why would someone of his stature voluntarily submit themselves to hateful comments while sharing his happy photos? Once a certain level of fame is achieved, the backlash is sometimes too tough to take. But has Bieber turned a corner? Though some have suggested he’s an entitled punk, I posit that the pop tart is growing up, judging by some select quotes below.

1. He’s drained by fan energy

Many celebrities thrive on meeting their fans, but their tour meet-and-greets seem like a personal nightmare. After all, I get a throbbing headache after talking for hours at a group dinner, so I simply can’t imagine the exhaustion of a one-on-one with rabid fans. Of his sound decision, Bieber said, “Want to make people smile and happy but not at my expense and I always leave feeling mentally and emotionally exhausted to the point of depression .. The pressure of meeting people’s expectations of what I’m supposed to be is so much for me to handle and a lot on my shoulders.”

2. He doesn’t like to perform at awards shows

Though it never occurred to me before, artists that perform at awards shows are actually hitting the stage for a group of non-fans, thus likening the experience to just starting out in the industry. While the audience is trained to smile and clap, that’s precisely why The Biebs resents the experience, saying, “I try to think of it as a celebration but can’t help feeling like people are rating and grading my performance. A lot of people in the audience there [seem to be] worried about how much camera time they will get or who they can network with. When I’m doing a regular show I feel they are there for the right reasons and to strictly have a good time! But these award shows seem so hollow.” Something tells me he will break his promise, but it sure seems like a sensible choice. His fan base is big enough to withhold from the “hollow” pandering.

3. He protects his love interests

Bieber’s choice to quit Instagram began with his bold bid to protect his new lady love. Though he and Sofia Richie have since broken up, he left the world with a thoughtful, short statement, saying, “If you guys are really fans you wouldn’t be so mean to people that I like.”

4. He’s never bashed Selena Gomez

Justin Bieber and Selena Gomez have had a very well-known, on-and-off relationship, and though Gomez has publicly picked on her ex, once telling Letterman that she “made him cry” and later saying that he exhausted her, Bieber has always taken the high road.

5. Sometimes he’s not in the mood for pictures

Celebrities have often likened fame to being a zoo animal, and Bieber is no exception. But when his desire for privacy was misconstrued as ungratefulness, he was Swift to counter with, “If I’m walking somewhere or arriving somewhere and you guys are asking me to take a photo, if I don’t respond, if I continue to keep walking, the likelihood is that I probably don’t want to take a photo at that moment. If you start screaming louder that’s not going to make me want to take a photo more.” Can’t a guy just take a barefoot stroll in peace?

Fences at the Los Angeles Guild Screening — See Pictures

Directed by Denzel Washington with a screenplay by August Wilson, FENCES is adapted from Wilson’s Pulitzer Prize and Tony Award-winning play and stars stars Denzel Washington, Viola Davis, Jovan Adepo, Stephen McKinley Henderson, Russell Hornsby, Mykelti Williamson, and Saniyya Sydney. The film is produced by Denzel Washington, Todd Black and Scott Rudin. It follows former professional baseball player (Denzel Washington) who denies his teenage son’s dream of playing college football and comes home with the baby he had through an affair.





SCORSESE: American Crime Requiem: Full Review

I’ve long been a fan of the For the Record series, having already seen their Tarantino and John Hughes shows, but SCORSESE: American Crime Requiem solidified their status as one of the best shows to see in Los Angeles. The series previously played at a Hollywood bar, offering a unique in-the-round experience that made me feel as if I’d discovered something small, yet magical, fulling knowing that others might soon join the party and ruin what felt like an underground, hidden secret. Sure enough, what the LA Times called a “renegade little troupe” has now made it’s way to a 500-seat experience at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. It’s no longer a secret, but last night’s show made me feel like that’s a good thing.
The Scorsese show is now a co-production between For the Record and the Wallis, and the cast includes Tony Award-winner John Lloyd Young (“Jersey Boys”), Tony nominee Carmen Cusack (“Bright Star”), Pia Toscano (“American Idol”) and two-time Grammy-nominated singer-songwriter B. Slade. Directed by Anderson Davis, who also co-created For the Record with Shane Scheel and Christopher Lloyd Bratten, the show offers four decades of Martin Scorsese, with mash-ups of unforgettable scenes from each film set against familiar songs from the movies. The movie moments are not necessarily connected for one, solid narrative, but that adds to the excitement, because each nostalgia-inducing scene also offers the audience a fresh take on their favorite movie moments. This show is not to be missed, and I’d encourage everyone to see it before the ticket prices skyrocket.

Christian Siriano Wins the Emmys Red Carpet

Designers often complain about dressing varied shapes, and major actresses have long claimed to have issues finding dresses for huge events as a result. The challenge of dressing a different form is welcomed by Christian Siriano; however, who slayed at the Emmys with looks for Leslie Jones, Niecy Nash, Kathy Bates, Angela Basset, and more. Here’s to the celebration of all shapes and sizes, courtesy of Christian Siriano.

Shonda Rhimes Guest Edits Good Housekeeping’s Awesome Women Awards


When you think of a strong, talented woman, Shonda Rhimes immediately comes to mind. The creator of television’s top shows chose to guest edit Good Housekeeping’s first-ever Awesome Women Awards for September’s “Connected Women” issue, and according to Rhimes, she was “excited by the idea that there would be an entire issue devoted to celebrating the awesomeness of women.” For a full list of honorees, click HERE. Enjoy some select quotes from Rhimes below, including what character she most identifies with, and the evolution of Meredith’s Grey’s character.
Shonda on how believing in yourself can make you an Awesome Woman: “The only difference between a woman and an awesome woman is how a woman defines herself, frankly. And what you choose to do with your life. I think if you believe yourself to be an awesome woman you are an awesome woman and, in general, you behave as an awesome woman. If you don’t believe yourself to be one, then you don’t. It’s really about what you believe about yourself.”

 

Shonda on the secret to life—‘nobody knows anything’: “I wish every awesome woman knew that the secret to life is that nobody knows anything. And nobody is better than you are. People deal with so much insecurity and spend so much time thinking, That person is better, so I couldn’t possibly try this. Yes, you can! Everybody puts themselves in little pockets and holds themselves back, but there’s no reason to. Make your own space.”

 

On how she comes up with her character ideas from her hit shows like Grey’s Anatomy and Scandal: “People always ask me where I get my ideas from, where I get my story ideas from – I don’t know. To me, these women, in my head, they are real, and I try to make them as real as possible. I try to make them people you want to be friends with, people you want to spend time with. That’s always my goal… It’s not a business; it’s not a factory. The secret sauce is that it’s just creative.”

 

On the inspiration behind Grey’s Anatomy character Dr. Meredith Grey (played by cover star Ellen Pompeo):“That’s just changed so much over many years. I think in the very beginning she was a little bit me, a little bit Betsy Beers, my producing partner – somebody very new, somebody starting out in a new job. I had no idea how to make television when I started this job. Betsy had a mother who had Alzheimer’s. We sort of had this mix of things we had been talking about. But really – she went to Dartmouth, I went to Dartmouth. There were just pieces of her that fell like that. But the rest of it is just the secret sauce.”

 

On the strong, competitive female characters on her shows and who they’re modeled after: “I keep getting asked how I write about such smart, strong women, and my response is, “What’s the alternative?” Weak, stupid women? They’re just normal people, not role models – if you’re aspiring to be like any of them, something’s a little bit wrong. You may want to dress like one or have her job, but do not aspire to be her!”

 

The reaction from fans that surprised her most: “I was very surprised when [Grey’s Anatomy character] Derek died. I think I was surprised by how strong the reaction was. And I think I was surprised because in Season 11, to have that violent of an outpouring for a character, in show that – for us, you start making a show and think, “Oh, you know, it’s Season 11.” You think that people aren’t paying as much attention. But to have it be that big of a deal to have Timemagazine write an article on how to mourn a fictional character. There was a lot of that and it was startling to me to see how much they were not coping. It felt like somebody real had died.”

 

On which of her characters are most like her: “I don’t think I could ever even say that. I think all of my characters, down to [Scandal’s] Huck who likes to hurt people, all of my characters are a piece of me to some degree because they come from my brain. There’s no way to have a character who’s not me. And I think every writer feels that way. They all spring from the same place.”