I could not quite put my finger on my issue with Drew Barrymore’s new daytime show — but luckily SNL did it for me. Her sugary sweet approach is much like a Pepsi versus Coca-Cola taste test. Pepsi wins in a one-sip competition, but no one wants to drink the whole can. In the video below, you will see the very brilliant Chloe Fineman deliver one the best impressions I’ve ever seen.
Jane Curtin is a badass. As an original cast member on ‘Saturday Night Live,’ she’s a pioneer who paved the way for many of the women who came after her, and by all accounts, she’s normal. If you ever read ‘Live From New York’ written by James Andrew Miller and Tom Shales, you’d learn more about her legendary status, with one select quote from Rosie Shuster, a writer on the long-running series who later married Lorne Michaels.
In a finite period of time on Late Night With Seth Meyers, Kenan Thompson made some very astute points about Kanye West’s political rant on SNL, and they’re worth noting. For starters, absent the insanity of West’s actual argument, Thompson points out that he made the cast uncomfortable and essentially “held them hostage.” He gathered them around for his rant without revealing his intentions, which awkwardly puts them beside him without their prior consent. Furthermore, though “we are all entitled to our opinion,” according to Thompson, that is “not the time” to voice it. And if you’re going to voice it, at least let people know before you comission their presence. Watch below.
Written by: Guest contributor
Alec Baldwin has been a regular guest on Saturday Night Live since 1990 and holds the current record for hosting the show 16 times. His talent for mimicry lends itself for clever impersonations, breathing life into a wide range of characters. He’s played everything from a deranged elf to the President of the United States. He clearly enjoys sketch comedy. Baldwin’s playful, impish nature is inclusive, making us feel like we’re in on the jokes.
Baldwin and Tom Hanks play off each other in this uncomfortably funny skit depicting the hero-pilot of the Hudson River landing fame, Sully Sullenberger.
Top Gun fans of a certain age will enjoy Baldwin’s eccentric Al Pacino.
Baldwin’s ability to mimic subtle body language and accents fleshes out his Robert De Niro.
Amy Poehler’s character goes to a plastic surgeon, played by Baldwin, for a breast augmentation consultation. The sketch pokes fun at Baldwin’s passionate monologues from the movie Malice.
Baldwin’s elf channels his Glengarry Glen Ross movie character and breaks the spirits of his elf subordinates.
Steve Martin and Baldwin play themselves bumping into each other before the show. Martin turns homicidal trying to prevent Baldwin from breaking his record for hosting SNL.
This skit holds generational appeal to those of us who are old enough to remember the game show Hollywood Squares. Baldwin nails Reilly’s flamboyant nature with just enough camp.
Baldwin shines in this news segment poking fun at himself. He plays the pilot that threw him off a recent flight for refusing to turn off his mobile phone before takeoff.
If sexual innuendo is your cup of tea, you’ll enjoy the clever repartee of Baldwin’s secretary interacting with reporters during a news conference.
A dinner date goes horribly wrong. Baldwin’s pompous psychologist is impervious to his date’s growing discomfort while he unskillfully manages his child’s prolonged tantrum.
Baldwin’s depiction of Trump’s first press conference since his election is colorfully irreverent. No matter what side of the aisle you fall on, Baldwin’s impression of Trump has received great reviews and has led to Baldwin to explore his options and take his Trump impression on the road.
Depending on your tastes you’ll either laugh uncomfortably or with abandon while watching Baldwin as a father learn to master a Wii game with his sons.
Kate McKinnon and Baldwin skillfully lampoon the foibles of both Hillary Clinton and Donald Trump. McKinnon would go on to win an Emmy for her performances on Saturday Night Live, with her role as Clinton being the most memorable.
The reigning crowd favorite of Baldwin’s SNL skits. As a guest on a highbrow National Public Radio cooking show, he discusses his recipe for Schweddy balls.
When Sturgill Simpson’s album, ‘A Sailor’s Guide to Earth,’ was nominated for Album of the Year for the 59th Grammy Awards, he humbly proclaimed that he “would’ve liked to see Frank Ocean’s name where [his] is,” because he thought Ocean’s record, ‘Blonde,’ was “really groundbreaking.” Funny enough, Ocean did not submit his album for consideration, thereby removing him from contention. Ocean believes the “infrastructure of the awarding system and the nomination system and screening system is dated,” and he might be right, but Simpson’s nomination represents a much bigger movement in the music industry, and here’s hoping it sends a message. First and foremost, he’s the only artist who wrote his entire album. Adele is a close second, with just one co-songwriter, but Beyonce’s much-praised ‘Lemonade’ has more songwriters than bagels at Yom Kippur. The same goes for Drake. And though I’m not a Bieber hater, I need not explain the alarming juxtaposition between the two artists, and It begs a bigger question about the what the Grammys truly represent. If Starry Night had been a collaborative effort between Vincent van Gough and his 25 cohorts, would we see it through the same lens?
Simpson has long been called a country music outlaw, refusing to cater to the confines of what has now become a homogenized songwriting factory in Nashville. There’s no more Johnny Cash, Merle Haggard, Waylon Jennings, or Willie Nelson, and Simpson is therefore considered to be the “savior” of a dying genre. Simpson himself might not see himself this way, and judging by his performance on Saturday Night Live, all he really sees is the music. His blues riff on “Call to Arms” lets his 11-piece band make a tiny stage with a small audience seem like an amphitheater. Watch both performances below.
The ever-elusive Lorne Michaels exercised his loyalty with Jerry Seinfeld when he made a special appearance on ‘Comedians in Cars Getting Coffee.’ It’s no secret that the ‘Saturday Night Live’ creator and producer has always been on the pulse of comedy, so the best part of the following clip is his question about Seinfeld’s format for the show. Something tells me Lorne does not approve, and perhaps rightfully so. The show is funny, but it’s not funny enough. Not for Lorne anyway.