Tag: Grey’s Anatomy
Tabloid Weekly Update: Breakups, Makeups, and Babies
- Green Mile actor, Doug Hutchison, 51, married Alexis Stodden, 16. Her parents approve. If only my parents were that open-minded. The Blemish
- Hugh Hefner let his ex-fiance, Crystal Harris, keep her $90,000 engagement ring. She was spotted trying to pawn it. Now that’s love. Celebrity Dirty Laundry
- Former Bachelorette contestant Chris Lambton is engaged to former Bachelor contestant, Peyton Wright. Who says you can’t find love on reality television? People
- Ashlee Simpson was spotted kissing ‘Boardwalk Empire’ actor, Vincent Piazza. Inquistr
- Amanda Seyfried and her on-again/off-again love interest, Dominic Cooper, might be back together. They were seen shopping — and men don’t shop with women unless it’s serious. Pop Sugar
- Emma Stone is dating her Spiderman costar, Andrew Garfield. Us Magazine
- Paris Hilton and Nicole Richie were spotted hugging Perhaps they are back together. Celebrity-Gossip
- Daniel Craig and Rachel Weisz got married. Congrats to the very good-looking couple. Just Jared
- Lauren Conrad and Kyle Howard broke up. Huffington Post
- Grey’s Anatomy star, Sara Ramirez, is engaged. E! Online
- Reggie Bush is dating a Kim Kardashian look-a-like. The Frisky
- George Clooney dumped Elisabetta Canalis. Apparently, “she drove him nuts.” Pop Eater
- Jennifer Aniston and Justin Theroux were photographed snuggling. She looks very happy. iVillage
- Famed chef, Curtis Stone and ‘Lipstick Jungle’ star, Lindsay Price, are expecting a baby. Celebrity Baby Scoop
Grey’s Anatomy Musical Episode — It Didn’t Work
I just watched this much talked about Grey’s Anatomy episode, and I really wanted to like it — I promise I did. Unfortunately, it simply didn’t work. The plot surrounded Dr. Callie Torres, who was near death following a car accident. In the process of trying to save her, just about every doctor breaks into song, which is loosely justified by Callie’s hallucinations. There’s a few problems with this. First, in order to justify awkwardly singing in the middle of a hospital operation, each song must take place in Callie’s presence, otherwise it’s not a hallucination, and it’s instead just a crazy doctor that should be fired for singing on the job. Second, the song choices should have been somewhat thematic. It just doesn’t make sense to sing Chasing Cars by Snow Patrol and Breathe by Anna Nalick. It felt too random, as if they picked the songs out of a very large hat. I realize that Shonda Rimes has some very talented cast members whose voice she wanted to feature in her show. But if I were advising her, I’d tell her to take a note from Ally McBeal instead of Glee, and have the actors randomly sing at a bar after work instead. It would have made much more sense that way. Watch a clip of last Thursday’s episode below.
Peter MacNicol Rescues Grey’s Anatomy — Ally McBeal Nostalgia Ensues
Sara Ramirez Looks Hot and Curvy for Latina Magazine
Actors Who Turn Down Hit Roles — The Occupational Hazard
ROB LOWE — Rob Lowe turned down Patrick Dempsey’s role in Grey’s Anatomy, and unlike John Travolta, Lowe willingly admits his mistake. He said, “I coulda been McDreamy! It’s an occupational hazard. It happens to everybody. The great thing is that Patrick Dempsey is so great in that part and he’s such a great actor. If I’d have done that I wouldn’t be doing this great part and having this fun on Brothers And Sisters. It all works out.” The irony of that quote is that Lowe eventually left Brothers And Sisters amidst speculation that he hoped to be more of a leading man. He also left The West Wing during the height of its success, in favor of The Lyon’s Den, which was canceled after just six episodes. Perhaps the ensemble cast is the way to go, after all.
MARY LOUISE PARKER — Mary Louise Parker turned down Teri Hatcher’s role in Desperate Housewives. While promoting Weeds on The View, the panel of yentas asked Parker if she regrets her decision, and she simply said, “no, it wasn’t my role.” She was then accosted with the same question fifty more times. Parker held firm, and repeated that “it wasn’t [her] role.” The truth is, this really did work out for everyone involved. What would Weeds be without Mary Louise Parker?
DENZEL WASHINGTON — Denzel’s career has taken a bit of a beating in recent years. But then again, so has Hollywood in general. He admitted in an interview that he turned down the role in I, Robot, which later went to Will Smith. Personally, I didn’t like the film, but it made a killing at the box-office.
Katherine Heigl Addresses her “Image Problems” — Handles it Well
Katherine Heigl addressed her image problems head-on, while promoting her new film. Though I’ve picked on Heigl for “biting the hand that feeds her,” I think her response shows that she’s on the right track. The truth is that most of what she said in the press was correct. It all started with Grey’s Anatomy, when Isaiah Washington called T.R. Knight a faggot on set, and the creators brushed it aside, leaving Knight to handle the media bedlam on his own. Heigl bashed both the show and Washington, in defense of her best friend. She scored major points with me for doing so, and then quickly squandered my support when she publicly discussed her contract negotiation with Grey’s Anatomy, saying that she called it off because “she wasn’t getting the respect she deserved.” Everyone knows that you don’t publicly discuss your contract — it’s unprofessional. To make matters worse, she took herself out of the Emmys, because she didn’t feel that the writing was good enough to warrant an award. Again, it’s not the best idea to insult your writers, especially since writer fatigue is common on a long-running show, and an actor can’t expect great material for five seasons straight. She also called Knocked-Up ” sexist,” which didn’t sit well with Seth Rogen and Judd Apatow, who later bashed her on Howard Stern. Personally, I thought the movie was sexist, but it’s not exactly a press-friendly statement. So here’s the moral of the Katherine Heigl story — sometimes she’s right and sometimes she’s not. If the girl could just reign it in a little, instead of becoming a robot that churns out the stereotypical answers in interviews (which I predict we will start to see), she’ll be just fine. Watch her discuss the issue below.
Hottie of the Week: James Tupper
I noticed a very good-looking man on the season premiere of Grey’s Anatomy, and I had to look him up, so I could add him to my desert-island-list. He played Dr. Andrew Perkins. So who is James Tupper, anyways? His career-launching role was in Men in Trees, where he met his current girlfriend, Anne Heche. Tupper also played a doctor on the short-lived NBC television series, Mercy. Here’s hoping he has more than one episode on Grey’s Anatomy, because the man sure is yummy. Oh yeah — did I also mention he’s a great actor? But isn’t looks more important? I confess — I’m a superficial Dishmaster.
Tribute to Christina Hendricks — I Love Her
I’m admittedly not an avid Mad Men fan, but Christina Hendricks has been on my radar since her interview on Chelsea Lately, when Chelsea called her voluptuous, and Hendricks appeared annoyed. Now, she’s learned to take it as a compliment, and represents all curvy-girls across America. In an interview with Deadline, she furthered my affection for her, by saying that she would stay on Mad Men forever if she could, and has no desire to leave the show for films. It’s refreshing to hear an an actress appreciate of the role that makes them famous, unlike every cast member of Grey’s Anatomy that has bashed their show in interviews. It’s also refreshing to see a beautiful woman on television that isn’t either overweight, or an underweight stick-figure. Here, you’ve got a sexy, humble actress that looks like a normal human being.
Today’s Question: Do All Shows Have a Three Season Shelf-Life?
When I read that Desperate Housewives “jumped-the-shark” it got me thinking. Is it really fair to say that a television show is not as good as the first season? Unfortunately, most shows today hit their peak during season one. Why? Because they have such high-concepts, and it becomes impossible to duplicate that momentum. Desperate Housewives was so great when it started, because of the mini-murder mystery. When the mystery was complete, the show was too. Sure Marc Cherry tried to keep it afloat by inserting other mysteries, but he painted himself into a corner. Had the story been secondary to the characters, and not the other way around, perhaps it would not have taken such a hit. Look at Grey’s Anatomy. It began as character driven, and became story driven after season two — which is when the decline began (remember all those bombs and car crashes that strangely kept happening every other episode?). Interestingly, many of the most successful shows in television history got better after the first season, when the show had an opportunity to “find its way.” Both Seinfeld and Cheers, for example, did not immediately catch on. Those shows were built around the characters, not the intense story-lines, and it therefore avoided the creative roadblocks. So what’s the solution? Stop getting greedy and start getting creative. When someone pitches an idea that doesn’t involve a car-chase, don’t kick them out of the meeting. Also — don’t sack shows that struggle at their outset. Have some darn patience.