It’s now widely known that Kylie Jenner’s best friend, Jordyn Woods, hooked up with Khloe Kardashian’s boyfriend/baby daddy, Tristan Thompson, at a house party. Woods has since been dragged on social media, and she will appear on Red Table Talk to share her side of the story. The truth-table series was launched by Jada Pinkett Smith, and it is the perfect platform for Woods. According to media sources, the Kardashians are livid with Woods — not only for the hookup, but for the decision to publicly discuss the story without their permission. More specifically, Woods signed a non-disclosure agreement, and this might violate it.
The Truth Behind Cattrall’s Demands
The third chapter of James Andrew Miller’s Origins podcast explores the now infamous feud between Kim Cattrall and . . . seemingly everyone else involved in HBO’s Sex and the City. According to showrunner Michael Patrick King, the issues arose over money and marketing.
The show doesn’t exist if Sarah Jessica wasn’t the blond star of the show, that’s No. 1. Kim was not at the height of her career, Kristin was under her in terms of notability, Cynthia was a theater actress — and their contracts reflected that status
As for why Sarah Jessica Parker was the solo player on all the movie posters? Michael Patrick King explains that because Sarah was the legitimate movie star when the show launched, it therefore makes sense to utilize her star power for all publicity-related materials.
Lorde Have Mercy
Kanye West is an easy target, and he’s the subject of some much-deserved criticism as of late. But don’t touch the man on the music front. Lorde recently took to Instagram to proclaim that Kanye and Kid Cudi (the Kids See Ghosts rap duo) lifted Lorde’s floating stage in the shape of a box, saying:
Though I’m not a massive fan of Katy Perry’s music, I’ve always liked her character, Sure I don’t know her personally, but she seems exceptionally shrewd in interviews and her barbs at other stars seem more thoughtful than petty. One such star is Taylor Swift, who accused Katy Perry of “sabotaging” her arena tour by poaching her dancers, a thought that later inspired the song “Bad Blood.” Instead of exchanging more passive aggressive barbs, Perry clarified the details with a curt account of the facts. Here they are. Three of Perry’s loyal backup dancers joined Swift’s tour. Before committing, they called Perry who said that although she was not currently touring, she’d hit the road in about a year, so the dancers should place a contingency clause inside their contracts. When the dancers approached the Swift staff about exiting, they were immediately fired. Perry tried to call Swift to straighten out the mess, but according to Perry, she never answered and instead opted to talk about it in the press.
I’m team Perry on this one. First, in almost every industry two weeks notice is an acceptable method of leaving. If an exit would tank a tour, that’s why you create contracts. If the contract has a contingency clause, that’s on your for allowing it. Second, it’s okay to vent through music, but when you identify a party involve and therefore individually assault their character, that moves from venting to bad-mouthing, and I’d like to think we’re more adult. Third, I hate to jump on the feminism band-wagon, but you can’t champion women’s rights and then create a song and video called “Bad Blood.” It’s just hypocrisy.
There’s one looming question; however, that I’d like to address, and my readers are free to comment with their own hypothesis. Why does the public constantly pounce on their AMOUNT of children? Is it because they’re aghast at the idea that parents of such a large brood can’t seem to make it work, or is it because half of their kids are adopted? After all, six might seem like a lot, but no one comes down on Jim Gaffigan for it. Even Mel Gibson seemed to get a soft reaction to his now-ninth child.
When I saw the video below from Chelsea Handler, who I usually like, I couldn’t help but have a very negative reaction to her “85 kids” remark,which begged the aforementioned question, and she’s certainly not the only one to make this joke. Leave the kids out of it.
Megyn Kelly’s interview with Donald Trump was more of a schmooze-fest than a showdown, and perhaps that’s a good thing. I have long maintained that the Kelly debate question which sparked their sparring was inappropriate, but that’s neither here nor there. Trump continued to hit her back harder on his campaign trail, and Kelly took it in stride. And to prove her cool status, she actually called Trump to squash the beef, and he complied. The interview is worth a watch, if only for the very end when Trump hilariously proclaims that if he loses, he will have viewed his entire campaign as a complete and total failure. Trump shed light on his hurt feelings, his hit-them-back harder approach to the press, and his respect for Kelly’s gesture. Watch below.
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I’ve been very hard on Katherine Heigl over the years, which may or may not be fair, because I’m guessing she didn’t need another blogger bashing her during that time. There’s no need to rehash what landed her on the Hollywood shit-list, but in case you’re wondering, click HERE. Though Heigl has tried to correct her cantankerous image, she’s failed to fully reform in the public eye, UNTIL NOW. Heigl visited the Howard Stern show, and the format allowed her to adequately explain herself absent sound bites. For the first time in history, I finally understand her intentions. Here’s a rundown.
In response to that infamous comment about ‘Knocked Up’ being “sexist.”
Heigl said that though she liked the film, she personally felt her character was judgmental and unlikable. That doesn’t mean she took issue with the writing, she just would not personally hangout with the uptight chick she played. She might not have ever said that out loud, but she was somewhat when a Vanity Fair interviewer asked her to respond to the idea that the film was sexist (as in, the men are cool and the women are nags). Since she’s obviously not good at navigating controversial comments, she stepped in it. And Judd Apatow and Seth Rogen have yet to forgive her.
In response to removing her name out of Emmy contention.
Heigl rose to fame on ‘Grey’s Anatomy,’ but there was a slow year for her character, and when asked to sift through her material to find something worthy of submitting to the Emmys, she simply felt she didn’t have a deep enough performance to compete. Though she didn’t think anyone would notice, they did, and when asked about it, she stepped in it again. She admits to apologizing to Shonda Rhimes. She also explained that the nature of an ensemble cast is difficult, because with 7 series regulars, everyone wants their time to shine.
Is she difficult to work with?
She doesn’t think so, but she’s so concerned about her image, she’s lost her “voice,” and she’s constantly baited by interviewers to give them something juicy or “f-ck up,” as Heigl puts it. In fact, her shoes once fit too tight, and she didn’t say anything for fear of fanning the fire.
And there you have it. Let this be a lesson to anyone in hot water. If you want to clear your name, go on Howard Stern.
Despite my consistent digs at Mariah Carey, I’m a longtime fan, and I remember the original Mariah as a down-to-earth girl from New York that was in over her head in an unhealthy marriage, which simultaneously shackled her creativity. As soon as it ended, her real personality came through, and she became ever-the-more likable. Then . . . something changed. My guess is that the superstar could not adjust to the changing tide of social media, and she might also have thin skin. Her fashion choices stayed stagnant in over-the-top, glamorous gowns and her attempt to brush-off controversial questions resulted in an out-of-touch hand waves with excessive “Dah-Lings.” And for some time, that was Jennifer Lopez’s problem too. Anyone who has been in this business for over a decade is well aware of the drama that surrounded Lopez’s original team and their untouchable diva demands, which were often unknown by Lopez herself. She admits to making serious adjustments, and the impressive about-face was shockingly effective. After all, if her career can survive that Bennifer debacle, it can survive just about anything. So why did Lopez change and Mariah didn’t? Again, my guess is she cannot accept criticism, and in a recent on-the-street interview, she once again took aim at Lopez. As it turns out, Mariah might have reason to resent Lopez, but you’d never know it from her limited explanations, and as far as the public’s concerned, she just seems mean spirited. Here’s a timeline of their feud, and the reasons behind it.
2001: Jennifer Lopez allegedly stole Mariah Carey’s idea to sample Yellow Magic Orchestra’s “Firecracker” for JLO’s hit song “I’m Real.” Mariah had planned to use the song for “Loverboy,” but Lopez beat her to the punch. Rumor has it Carey’s ex-husband Tommy Mottola got wind of Mariah’s plan and orchestrated the theft for Lopez, who was his artist at the time.
2002: When asked about the stolen sample, Mariah said, “Let’s just say they did me a favor. And they know who they are. And thank you, sweetie. And your friend who did it with you!” Sources suggest that the “sweetie” in question is Jennifer Lopez, and the shady business gave Carey leverage to make an early exit from her Sony contract, which resulted in a huge new contract with EMI/Virgin.
2008: In an interview with a German television show, Mariah sang the praises of Beyonce, but when asked about Jennifer, she infamously said, “I don’t know her.”
2015: Mariah explains she was “just being honest,” and really doesn’t know Jennifer Lopez
2016: Mariah “Still doesn’t know Jennifer Lopez”
2016: Jennifer Lopez visits Watch What Happens Live and won’t take Andy Cohen’s bait. She continued to deny any ill-feelings toward Mariah.
The trouble started when Minaj was asked about her Miley Cyrus feud in an interview with New York Times Magazine, and she made some very good points, explaining that since Cyrus appropriates black culture then she should also “want to know what affects us.” In defense of Cyrus, she did not dismiss the issues surrounding black culture; she instead addressed Minaj’s “unkind” attempts at expressing it. I realize the obvious response to that is “a privileged white girl has no business telling black women HOW to express themselves,” but that’s neither here nor there. The interview turned sour when Minaj was asked about her boyfriend’s feud with Drake, and she made it clear that they are grown men, and though it saddens her, she has nothing to do with it. That reply was met with the now infamous question about whether she “thrives on drama.” Here is her reply.
That’s the typical thing that women do. What did you putting me down right there do for you? Women blame women for things that have nothing to do with them. I really want to know why — as a matter of fact, I don’t. Can we move on, do you have anything else to ask? To put down a woman for something that men do, as if they’re children and I’m responsible, has nothing to do with you asking stupid questions, because you know that’s not just a stupid question. That’s a premeditated thing you just did.
If your question produces such a heated response to the point of losing the interview, then you have failed as an interviewer. Additionally, it was clearly an insult, and it deserved to be treated as one. Was her reply ironically “dramatic?” Perhaps. But don’t poke the bear if you don’t want to get eaten.